LIAM GILLICK
B 1964, Aylesbury, U.K.
Lives and works in NY

Exhibitions | News | CV

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    Redaction

     

    Phantom Structures

     

    Never Look Back When Leaving

     

    Liam Gillick and Louise Lawler

     

    NO. 17

     

    Scorpion and und et Felix

     

    Rotary Connection

     

    Everything Must Go!

     

    Reflection: 15 Years

     

    Discussion Bench Platforms, A ‘Volvo’ Bar + Everything Good Goes

     

    Nathan Carter, Liam Gillick, Carsten Höller, Simon Starling, Garth Weiser

     

    Henning Bohl, Jeff Burton, Jason Dodge, Trisha Donnelly, Liam Gillick, Jonathan Monk, Gabriel Vormstein

     

    The State Itself Becomes A Super Whatnot

     

    THIS WINTER

     

    Pose & Sculpture

     

    Liam Gillick and Jonathan Monk

     

    As You Approach the Edge of Town the Lights are No Softer Than They Were in the Centre

     

    OLDNEWTOWN, Curated by Liam Gillick

     

    LIAM GILLICK

    Frieze New York 2022 | Liam Gillick: No No Place | The New York Times

    New Order + Liam Gillick: So it goes…

    Liam Gillick: Liberation of the Stool

    LIAM GILLICK | GWANGJU MUSEUM OF ART

    Art Review: Liam Gillick interviews Joan Jonas

    LIKE A MOTH TO A FLAME | OFFICINE GRANDI RIPARAZIONI & FONDAZIONE SANDRETTO RE REBAUDENGO

    Harvard Graduate School of Design Rouse Visiting Artist Lecture: Liam Gillick

    Artnet News: Julie Mehretu and Other All-Star Artists Blast Trump’s Immigration Ban in a New Poster Campaign

    Liam Gillick, Phantom Structures on Artnews

    Liam Gillick’s limited edition record, “Oh! Wolfgang / Good Grief!”, released on Brigade Commerz

    Liam Gillick, Industry and Intelligence: Contemporary Art Since 1820 now available through Columbia University Press

    Launch of e-flux journal no. 71 with Liam Gillick, Luis Camnitzer and K8 Hardy

    LIAM GILLICK, CAMPAIGN, OPENS AT THE SERRALVES MUSEUM OF CONTEMPORARY ART

    Liam Gillick in 9 Artists at the Walker Art Center

    Liam Gillick at The Contemporary, Austin

    Liam Gillick and Simon Critchley, Drive Safe

    Liam Gillick at Highland Institute for Contemporary Art

    Liam Gillick selected as the 38th Bampton Series Speaker at Columbia University

    Bill Roberts’ “Burnout: Liam Gillick’s Post-Fordist Aesthetics” in the Journal of the Association of Art Historians

    Liam Gillick Decodes the World

    Liam Gillick interviewed by Tom Eccles in November’s issue of ArtReview

    Liam Gillick in Art Review’s Power 100

    CASEY KAPLAN AT ARTISSIMA, NOVEMBER 9 – 11

    From 199A to 199B : Liam Gillick

    LIAM GILLICK IN INHABITED ARCHITECTURE AT THE GUGGENHEIM BILBAO

    To the Moon Via the Beach, a project by Liam Gillick and Philippe Parreno

    Liam Gillick featured in Modern Painters

    Liam Gillick in Exhibition, a film by Joanna Hogg

    Liam Gillick at Le Magasin, Grenoble

    Liam Gillick in Joanna Hogg’s “Exhibition”

    Liam Gillick and Louise Lawler on Artforum.com

    Liam Gillick and Louise Lawler in the New York Times

    Hamilton: A film by Liam Gillick

    The Problem is not the Contemporary: Suhail Malik and Liam Gillick

    AM at the JM: Liam Gillick in Conversation with Jens Hoffmann

    Liam Gillick Edition Available Through Art + Culture Projects

    Liam Gillick, Artistic Director of the Okayama Art Summit 2016

    LIAM GILLICK, ANNLEE YOU PROPOSES, 2001 IS ON VIEW IN DREAMLANDS: IMMERSIVE CINEMA AND ART, 1905–2016 AT THE WHITNEY MUSEUM OF AMERICAN ART

    LIAM GILLICK IS PARTICIPATING IN THE AVANT MUSEOLOGY SYMPOSIUM AT BROOKLYN MUSEUM THIS FRIDAY, NOVEMBER 11

    Liam Gillick in Conversation: We Need to Talk About Community

    LIAM GILLICK: CAMPAIGN – THIRD MOMENT, OPENS MAY 25

    LIAM GILLICK AND HITO STEYERL | PERSPECTIVES / PERSPECTIVES

    Installation view: Liam Gillick, Filtered Time, Pergamonmuseum, Berlin, Germany, April 6 - October 15, 2023

    Installation view: Liam Gillick, Filtered Time, Pergamonmuseum, Berlin, Germany, April 6 - October 15, 2023

    Installation view: Liam Gillick, Filtered Time, Pergamonmuseum, Berlin, Germany, April 6 - October 15, 2023

    Installation view: Liam Gillick, La Pista 500, Pinacoteca Agnelli

    Installation View: Liam Gillick, No No Place, Casey Kaplan, Frieze New York 2022, May 18, 2022 - May 22, 2022

    Defined Production

    2008

    Powder coated aluminum

    40 elements: 76.77 x 1.18 x 3.94" / 195 x 3 x 10cm each
    Installation: 76.77 x 154.72 x 3.94" / 195 x 393 x 10cm

    Defined Production, 2008 (Detail)

    Liquid Production

    2008

    Powder coated aluminum

    28 elements: 78.74 x 1.18 x 5.91" / 200 x 3 x 15cm each
    Installation: 78.74 x 75.59 x 5.91" / 200 x 192 x 15cm

    Liquid Production, 2008 (Detail)

    Framed Projection

    2010

    Powder coated aluminum, Plexiglas

    19.69 x 7.87 x 3.94" / 50 x 20 x 10cm

    Framed Projection, 2010 (Detail)

    Expanded Limitation

    2015

    Powder coated aluminum

    14 elements: 39.37 x 1.18 x 3.94" / 100 x 3 x 10cm each
    Installation: 39.37 x 52.36 x 3.94" / 100 x 133 x 10cm

    Expanded Limitation, 2015 (Detail)

    Directed Screen

    2020

    Powder coated aluminum

    78.74 x 39.37 x 2.76" / 200 x 100 x 7cm

    Directed Screen, 2020 (Detail)

    Installation view, Liam Gillick:The Work Life Effect, Gwangju Museum of Art, South Korea, February 25 - June 27, 2021. Courtesy Gwangju Museum of Art, Korea.

    Installation view, Liam Gillick:The Work Life Effect, Gwangju Museum of Art, South Korea, February 25 - June 27, 2021. Courtesy Gwangju Museum of Art, Korea.

    Installation view, Liam Gillick:The Work Life Effect, Gwangju Museum of Art, South Korea, February 25 - June 27, 2021. Courtesy Gwangju Museum of Art, Korea.

    Wall Complexes

    2020

    Integrated Wall Complex

    2019

    Powder-coated aluminum

    11.8 x 11.8 x 8.5" / 30 x 30 x 21.5cm

    Integrated Wall Complex

    2019 (Alternate View)

    Powder-coated aluminum

    11.8 x 11.8 x 8.5" / 30 x 30 x 21.5cm

    Installation View: Liam Gillick,Redaction, Casey Kaplan, New York, March 3 - April 25, 2020

    Installation View: Liam Gillick,Redaction, Casey Kaplan, New York, March 3 - April 25, 2020

    Interior Day Setting

    2012

    Powder coated aluminium

    90.5 x 227 x 3.9" / 229.9 x 576.6 x 10cm

    Discussion Island Double Exit Rig

    1997

    2 Rigs: aluminium, 20 light fittings and white bulbs; Cables, clamps, wiring

    8 x 48 x 48” / 20.3 x 120 x 120cm each

    Installation View: Liam Gillick,Standing on Top of a Building: Films 2008 - 2019, Museo Madre, Naples, June 22 - October 14, 2019

    Installation View: Liam Gillick,Standing on Top of a Building: Films 2008 - 2019, Museo Madre, Naples, June 22 - October 14, 2019

    Installation View: Liam Gillick & Gelatin,Stinking Dawn, Kunsthalle Wein, Vienna, July 4 - October 6, 2019

    Installation View: Liam Gillick & Gelatin,Stinking Dawn, Kunsthalle Wein, Vienna, July 4 - October 6, 2019

    Discussion Channelled

    2018

    Powder coated aluminum

    9.45 x 53.15 x 3.15" / 24 x 135 x 8cm

    Discussion Channelled

    2018 (Detail)

    Powder coated aluminum

    9.45 x 53.15 x 3.15" / 24 x 135 x 8cm

    Vertical Alignment

    2015

    Chrome powder coated aluminum, opaque Plexiglas

    59 x 59" / 150 x 150cm

    Vertical Alignment

    2015 (Detail)

    Chrome powder coated aluminum, opaque Plexiglas

    59 x 59" / 150 x 150cm

    Liam Gillick :Campaign - 1st moment

    Serralves Museum of Contemporary Art, Porto, 2016

    Liam Gillick :Campaign - 2nd moment

    Serralves Museum of Contemporary Art, Porto, 2016

    Liam Gillick :Campaign - 3rd moment

    Serralves Museum of Contemporary Art, Porto, 2016

    Liam Gillick :Campaign - 4th moment

    Serralves Museum of Contemporary Art, Porto, 2016

    Installation view,Phantom Structures, Casey Kaplan, 2016

    Installation view,Phantom Structures, Casey Kaplan, 2016

    Growth Elevation

    2016

    White powder coated aluminium, red transparent Plexiglas

    78.7 x 68.9 x 41.3" / 200 x 175 x 105cm

    Growth Elevation

    2016

    Installation view,Phantom Structures, Casey Kaplan, 2016

    Listed Screen

    2016

    White powder coated aluminium, purple transparent Plexiglas

    90.6 x 11.8 x 7.9" / 230 x 30 x 20cm

    Listed Screen

    2016 (detail)

    Installation view,Phantom Structures, Casey Kaplan, 2016

    Installation view,Phantom Structures, Casey Kaplan, 2016

    Installation view,Phantom Structures, Casey Kaplan, 2016

    Descended Screen

    2016

    White powder coated aluminium, green transparent Plexiglas

    90.6 x 11.8 x 7.9" / 230 x 30 x 20cm

    Descended Screen

    2016

    Driven Platform

    2016

    White powder coated aluminium, orange transparent Plexiglas

    1.9 x 47.2 x 47.2" / 5 x 120 x 120cm

    Driven Platform

    2016

    Installation view,Phantom Structures, Casey Kaplan, 2016

    Post Discussion Delay Platform

    2016

    White powder coated aluminium, light blue transparent Plexiglas

    Exhibition view:From 199C to 199D, Le Magasin, Grenoble, 2014.

    Exhibition view:From 199C to 199D, Le Magasin, Grenoble, 2014.

    Exhibition view:From 199C to 199D, Le Magasin, Grenoble, 2014.

    Raised Laguna Discussion Platform (Job #1073)

    2013

    Painted steel

    120 x 160 x 431.75"

    Raised Laguna Discussion Platform (Job #1073)

    2013

    Painted steel

    120 x 160 x 431.75"

    Prototype Screen

    2013

    Powder coated aluminium, Plexiglas

    Installed dimensions: 78.7" (H) x 84.6" (L) x 25.2" (W) / 200cm (H) x 215cm (L) x 64cm (W)

    Complete Bin Development

    2012

    Powder coated aluminium, Plexiglas

    118.1 x 59 x 59" / 300 x 150 x 150cm each Installed dimensions variable

    Complete Bin Development

    2012

    Powder coated aluminium, Plexiglas

    118.1 x 59 x 59" / 300 x 150 x 150cm each Installed dimensions variable

    Divided Progressed

    2012

    Powder coated aluminium

    14 elements, each: 70.9” (H) x 1.2” (W) x 3.9” (D) / 180cm (H) x 3cm (W) x 10cm (D) with a 3.9" / 10cm gap between each element Installed dimensions: 70.9" (H) x 67.7" (W) x 3.9" (D) / 180cm (H) x 172cm (W) x 3cm (D)

    Linked Projection

    2010

    Steel, glass

    75’ (L) x 25’ (W) x 11” (H) / 22.8m (L) x 7.6m (W) x 3.3m (H)

    Linked Projection

    2010

    Steel, glass

    75’ (L) x 25’ (W) x 11” (H) / 22.8m (L) x 7.6m (W) x 3.3m (H)

    Exterior Day Setting

    2012

    Powder coated aluminium

    45 elements, each: 78.7” (H) x 1.18” (W) x 3.9” (D) / 200cm (H) x 3cm (W) x 10cm (D) with a 3.9" / 10cm gap between each element Installed dimensions: 90.5 (H) x 227 (W) x 3.9" (D) / 229.9 (H) x 576.6 (W) x 10cm (D)

    Odradek wall

    1998-2011

    wood, pine planks, cables, lights

    Aix Pavilion, Chateau la Coste , Aix en Provence

    2010

    Detail View:AGRICULTURE, DENTISTRY, ANARCHY...

    2011

    6 silkscreen prints

    31.9 x 25.5” / 81 x 64.8cm each

    Fairmont Pacific Rim, Vancouver

    2009

    Strict Collapse

    2010

    Powder coated aluminium, Plexiglas

    90.6 x 7.9 x 19.7” / 230 x 20 x 50cm

    Dynamica Building, Guadalajara

    2008

    Dynamica Building, Guadalajara

    2008

    56th Floor Structure

    2004

    Black powder coated aluminum

    Exhibition View: “Singular Forms (Sometimes Repeated): Art from 1951 to the Present,” Solomon R. Guggenheim Mueeum, New York, March 4 - May 19, 2004

    Method

    2011

    Powder coated aluminum, Plexiglas

    59.1 x 59.1 x 2” / 150 x 150 x 5cm

    Restricted Underlined

    2011

    Powder coated aluminum

    5.9 x 39.4 x 5.9” / 15 x 100 x 15cm

    Stranded Screen

    2010

    Powder coated aluminium, transparent Plexiglas

    47.2 x 47.2 x 7.9” / 120 x 120 x 20cm

    The Home Office, London

    2003-2005

    The Home Office, London

    2003-2005

    Between Kalmar and Udevalla

    2008

    Powder coated aluminum

    40, elements, each: 78.7” (H) x 1.1” (W) x 5.9” (D) / 200cm (H) x 3cm (W) x 15cm (D) with a 2.75”/7cm gap between each element Installed dimensions: 78.7” (H) x 154.72” (W) x 5.9” (D) / 200cm (H) x 393cm (W) x 15cm (D)

    Exhibition View:Of Bridges and Borders: Chapter V, From Real to Surreal

    2011

    Shattered factories in the snow

    2008

    Inkjet Print

    33.1 x 23.4” / 84 x 59.4cm

    Discussion Island Double Exit Rig

    1997-2010

    2 Rigs: aluminium, 20 light fittings and white bulbs Cables, clamps, wiring

    8 x 48 x 48” / 20.3 x 120 x 120cm each

    RESCINDED PRODUCTION

    2008

    Powder coated aluminum, transparent colored Plexiglas

    78.7” (H) x 94.4” (W) x 94.4” (D) / 200cm (H) x 240cm (W) x 240cm (D)

    COMPLETE SIGNAGE

    2005

    4, Black powder-coated water cut aluminium

    200 x 100cm / 6’ x 3’ each Exhibition View. Tate Triennial, Tate Britain, London

    Quarter scale model of a social structure for a plaza in Guadalajara

    2005

    Painted wood, lighting

    8’ x 24’ x 4.17’ / 2.44 x 7.32 x 1.27m

    Övningskörning (Driving Practice Parts 1 - 30)

    2004

    Powder-coated aluminium

    30 elements, each approximately 96 x 12 x .5” / 243.8 x 30.5 x 1.3cm

    THE WHAT IF? SCENARIO REPORT PLATFORM

    1996

    Aluminum and transparent and opaque Plexiglas

    78.7" (H) x 78.7" (W) x 59" (D) 200cm (H) x 200cm (W) x 150cm (D)

    Exhibition View: Liam Gillick, Casey Kaplan, New York

    2000

    Discussion Island Research Screen

    1999

    Anodized aluminum and Plexiglas

    24 x 94.25 x 16.2” / 61 x 239.4 x 41.3 cm

    Prototype double mounted wall rail

    1988

    Injection molded plastic, fittings

    3 x 20 x 1-1/4”

    Exhibition View:Révision: Liam Gillick, Villa Arson, Nice

    1998

    Fluctuation Screen

    2000

    anodized aluminum, white opaque Plexiglas

    8’ x 12’ x 1’

    Twinned Retraction Sreens for DG Bank.

    2000

    mixed media on paper

    18 x 24" / 45.72 x 60.96 cm

    Pepsi colored foyer

    2000

    Watercolour on paper

    24 x 19” / 61 x 48.3cm Framed: 25.9 x 19.75" / 66 x 50cm

    BSI, Lugano, Switzerland

    2005

    What if? scenario cantilevered delay platform

    1996

    anodized aluminum, Plexiglas

    courtesy collection Andy and Karen Stillpass, Cincinnati

    LIAM GILLICK

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