Sarah Crowner

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    Sarah Crowner

    Installation view, Beetle in the Leaves, MASS MoCA, North Adams, MA 2016

CV

Born 1974 in Philadelphia, PA

Lives and works in Brooklyn, NY

EDUCATION
2002

MFA, Hunter College City University of New York, New York, NY

Ecole Nationale Superieure des Beaux Arts, Paris, France

1996

BA, from University of California, Santa Cruz, CA

RESIDENCIES
2007-2008

Artist in Residence, Ceramics Department, Hunter College City University of New York

2008

Skopelos Foundation for Art, Greece

1999

Centro de Art Communication Visual (Arco), Lisbon, Portugal

SOLO EXHIBITIONS
2016

Galerie Nordenhake, Stockholm

Plastic Memory, Simon Lee Gallery, London, UK

Beetle in the Leaves, MASS MoCA, North Adams, MA

2015

Everywhere the Line is Looser, Casey Kaplan, New York

2014

Interiores, Travesia Cuatro, Guadalajara, Mexico

Motifs, Galerie Catherine Bastide, Brussels, Belgium

The Wave, Nicelle Beauchene Gallery, New York, NY

2012

Geometric Park, SAKS Galerie, Geneva, Switzerland

Rehearsal, Galerie Nordenhake, Stockholm, Sweden

2011

Acrobat, Nicelle Beauchene Gallery, New York, NY

Ballet Plastique, Catherine Bastide, Brussels, Belgium

Zig Zags and Curves, Helena Papadopoulos, Athens, Greece

2009

Paintings and Pots, Nicelle Beauchene Gallery, New York, NY

2008

Handbuilt Vessels, Nice + Fit Gallery, Berlin, Germany

TWO PERSON EXHIBITIONS
2014

Sunday in the Park, organized with Sari Carel and Exile Books, Locust Projects, Miami, FL

2013

Larry Bell and Sarah Crowner Meet Marlow Moss, with Larry Bell, Kunstverein Amsterdam, Amsterdam, The Netherlands

2008

Ceramics and Other Things, with Paulina Olowska, DAAD Galerie, Berlin, Germany

GROUP EXHIBITIONS
2017

Für Barbara, Hall Art Foundation, Derneburg, Germany

Mauvaises Herbes: Sarah Crowner, Caitlin Keogh, Paulina Olowska, Simon Lee Gallery, Hong Kong

The Centre Cannot Hold, Near East, Istanbul

Salon Hang, Kunstverein, Amsterdam

99¢, Museum of Contemporary Art Detroit, Detroit, MI

2016

If Only Bella Abzug Were Here, Marc Straus, New York, NY

WE ARE NOT THINGS, Invisible Exports, New York, NY

2015

Surface Tension, The Flag Art Foundation, New York, NY

Faux Amis, Simon Lee, London, UK

Space Between, The Flag Art Foundation, New York, NY

Repetition and Difference, Jewish Museum, New York, NY

2014

Conversation Piece, Museum of Fine Arts, Boston, MA

From Pre-History to Post-Everything, Sean Kelly Gallery, New York, NY

2013

Painter Painter, Walker Art Center, curated by Eric Crosby and

Bartholomew Ryan, Minneapolis, Minnesota

Pathfinder: And to End, -1, curated by Arlène Berceliot Courtin, Paris

Work, Organized by Sara Greenberger Rafferty, Klaus von Nichtssagend Gallery, New York, NY

DNA: Strands of Abstraction, Loretta Howard Gallery, New York, NY

Experienz #2, WIELS, Contemporary Art Centre, Brussels, Belgium

Edge, Order, Rupture: Geometric Abstraction, Galerie Lelong, New York, NY

Questioning the canvas, Guekens & De Vil, Knokke, Belgium

Excursus IV: Primary Information, ICA Philadelphia, PA

Splendor Tkaniny, Zacheta National Museum of Art, Warsaw, Poland

Abstract Generation: Now in Print, Museum of Modern Art, New York, NY

Beyond the Object, Brand New Gallery, Milan, Italy

2012

a gathering, Athens Festival, curated by Maria-Thalia Carras & Olga

Hatzidaki, Athens, Greece

Surface in Volume, Luce Gallery, Torino, Italy

Material Occupation, University Art Museum, University at Albany, NY

2011

WE REGRET TO INFORM YOU THERE IS CURRENTLY NO SPACE OR PLACE FOR ABSTRACT PAINTING, Martos Gallery, New York

New Shadow Old Legs, Eleven Rivington, New York

Paying A Visit to Mary Part 2, Kunstverein, Amsterdam, Netherlands

2010

Peter Saville’s ‘Accessory to an Artwork,’ Glenn Horowitz Bookseller, East

Hampton, NY

Creeds, Colors and Combinations, Nicelle Beauchene Gallery, New York

Owl Stretching Time, Nordenhake, Berlin, Germany

2010, Whitney Biennial, The Whitney Museum of American Art, curated by Francesco Bonami and Gary Carrion-Murayari, New York

2009

Looking Back: The White Columns Annual, selected by Primary Information, White Columns, New York

For the blind man in the dark room looking for the black cat that isn’t there, curated by Anthony Huberman, Contemporary Art Museum St. Louis; ICA, London; Museum of Contemporary Art, Detroit; de Appel, Amsterdam; Culturgest, Lisbon.

Cave Painting: Installment #1, curated by Bob Nickas, Gresham’s Ghost, New York

Sarah Crowner and Yiannis Moralis: Conversations Part I, Nice + Fit Gallery, Berlin, Germany

2008

Opportunity as Community: Artists Select Artists, Part Two; Dieu Donne, New York