Marlo Pascual

    Untitled, 2015

    inkjet print on Somerset Velvet paper

    Framed: 63.5 x 54" / 161.3 x 137.2cm


Born: 1972, Nashville, TN

Lives and works in Philadelphia, PA


MFA, Tyler School of Art, Philadelphia, PA


BA, University of Tennessee, Knoxville, TN


Galerie Rodolphe Janssen, Brussels, Belgium


Goldie Paley Gallery, Moore College of Art and Design, Philadelphia, PA


Casey Kaplan, New York, NY


Aspen Art Museum, Aspen, CO

Casey Kaplan, New York, NY


Swiss Institute, New York, NY


MFA exhibition, Tyler School of Art, Philadelphia, PA


Strange Attractors, The Anthology of Interplanetary Folk Art: Vol. 1 Life on Earth, organized by Bob Nickas, Redling Fine Art, Los Angeles, CA


A Matter of Memory: Photography as Object in the Digital Age, George Eastman Museum, Rochester, NY

Photography, the Undocument, FotoFocus Biennial, Cincinnati, OH

Koppe Astner, Glasgow, Scotland

Summer 2016: Collected Works, Rennie Collection, Vancouver, British Columbia

Allure: Photographs from the Susanne von Meiss Collection, c/o Berlin, Berlin, Germany

Surrogates, Griffin Art Projects, Vancouver, British Columbia

Art of Now, Hearst, New York, NY


‘Give a man a mask and he will tell you the truth’ Oscar Wilde, Rodolphe Janssen, Brussels, Belgium

An Unfixed Image: The Photographic Across Media, The College of New Jersey, Ewing, NJ

Dealing with Surfaces, GAK Gesellschaft Für Aktuelle Kunst, Bremen

Compound Lens, University of Tennessee, Knoxville, TN

Picture/Thing, Ezra and Cecile Zilkhla Gallery, Wesleyan University, Middletown, CT


Global Positioning Systems, Pérez Art Museum, Miami, FL

Never Look Back When Leaving, Casey Kaplan, NY

Soft Target, organized by Phil Chang and Matthew Porter, M+B, Los Angeles, CA

What is a Photograph? curated by Carol Squiers, International Center of Photography, NY


Jeunes Collectionneurs, La Maison Particuliere, Brussels, Belgium

Girls Can Tell, curated by Janne DeVries, Gessellschaft fur Aktuelle Kunst, Bremen

Subject, Answer, Countersubject, curated by Summer Guthery, Disjecta, Portland, Oregon

LAT. 41° 7’ N. LONG. 72° 19’ W., Organized by Bob Nickas, Martos Gallery, East Marrion, NY

A House of Leaves. Third Movement, curated by Vincent Honoré, David Roberts Art Foundation, London, UK


Difference?, Dallas Museum of Art, Dallas, Texas

The Arts Club, London, UK

No. 17, Casey Kaplan, NY

Bouvard and Pécuchet’s Compendious Quest for Beauty, Curators’ Series #5, curated by Simone Menegoi and Chris Sharp, David Roberts Art Foundation, London, UK

Rotary Connection, Organized by Loring Randolph, Casey Kaplan, NY

Out of Focus: Photography & Film, Saatchi Gallery, London, UK

Matters of Fact, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY


Beyond, curated by Adam Budak, Kumu Art Museum, Tallinn, Estonia

The Idea of the Thing That it Isn’t, curated by Rachel Uffner, Halsey McKay

Gallery, East Hampton, NY

Jersey Bounce, Visual Arts Center of New Jersey, Summit, NJ

Pandora’s Box: Joseph Cornell Unlocks the MCA Collection, Museum of

Contemporary Art, Chicago, IL

Midnight Party, Walker Art Center, Minneapolis, MN

Update #2, curated by Amie Scally and Ryan Evans, White Columns, New

York, NY

After Images, Musée Juif de Belgique, Brussels, Belgium

Unreal, Vancouver Art Gallery, Vancouver, Canada

Cover Girl, Galerie des Galeries, Paris, France

Street Trash, organized by James Campbell, Sadie Laska, and Virginia

Overton for The Wrong Again Gallery, Intersection of Commercial St,

Brooklyn, NY

Common Ground, Curated by Jim Richard, Arthur Roger Gallery, New Orleans


Closed for Installation, 303 Gallery Staff Exhibition: Past and Present, 303

Gallery, New York, NY

Reflection: 15 Years, Casey Kaplan, New York, NY

At Home/Not At Home: Works from the Collection of Martin and Rebecca

Esienberg, curated by Matthew Higgs, Hessel Museum of Art/Center for

Curatorial Studies, Bard College, Annandale-on-Hudson, New York, NY

Being There, curated by Chris Sharp, The Meet Factory, Prague, Czech


Image Transfer: Pictures in a Remix Culture, Henry Art Gallery, Seattle, WA

The Recontres d’Arles Discovery Award, Recontres d’Arles, Arles, France

How Soon is Now, The Garage Center for Contemporary Culture, Moscow,



In Practice, The Sculpture Center, New York, NY

Collection of…, White Columns, New York, NY

Apartment Show NY, curated by Denise Kupferschmidt and Joshua

Smith, New York, NY

Beginnings Middles and Ends, curated by Gianni Jetzer, Galerie Georg

Kargl, Vienna, Germany

The Zero Budget Biennial, !co-curated by Chris Sharp and Joanna

Fiduccia, Galerie Carlos Cardenas and Galerie Schleicher+Lange, Paris, France; Galleria Pianissimo, Milan, Italy; Rokeby, London, United Kingdom; Klemm’s, Berlin, Germany


As Others See Us, Brattleboro Museum & Art Center, Brattleboro, VT

Crop Rotation, curated by Clarissa Dalrymple, Marianne Boesky, New York, NY

Tales of the Grotesque, curated by Gianni Jetzer, Karma International, Zurich, Switzerland

The Dark Fair, representing White Columns, The Swiss Institute, NY

Vlatka Horvat, Marlo Pascual, Lisa Soskolne, curated by Amie Scally,

White Columns, New York, NY


Carking It, Penrose Gallery, Tyler School of Art, Philadelphia, PA

Powers of Ten, The Barbershop, Philadelphia, PA

Constructions, curated by Christian Rattemeyer, CAA at Hunter College

Times Square Gallery, New York, NY


VA4398UV, curated by Virginia Overton, Memphis, TN