Nel pomeriggio non ci serà la luna
2024
Wood, indigo dye, pastel pencil, oil pastel, acrylic
37.5 x 31.5 x 6" / 95 x 80 x 15cm
Johanna Unzueta, Installation view of the exhibition Soft Power, DAS MINSK Kunsthaus in Potsdam 2024. Casey Kaplan, New York, Photo: Ladislav Zajac
Zwischendeich 2022, Berlin 2023, Resonance
2023
Wood, indigo dye, pastel pencil, oil pastel, cotton thread
89.75 x 28.75 x 23.75” / 228 x 73 x 60.3cm
Zwischendeich 2022, Berlin 2023, Resonance, 2023 (detail)
Installation view: Johanna Unzueta, Naturalist, Casey Kaplan, New York, January 12 - February 17, 2024
Berlin 2023, Elica
2023
Wood, indigo dye, pastel pencil, oil pastel, linen thread
19.69 x 24.8 x 3.9” / 50 x 63 x 10cm
Installation view: Johanna Unzueta, Naturalist, Casey Kaplan, New York, January 12 - February 17, 2024
Berlin 2021/2023, You were the first after...
2023
Wood, indigo dye, pastel pencil, oil pastel, charcoal, linen thread
36 x 16 x 8.2” / 93 x 40 x 21cm
Berlin 2021/2023, You were the first after..., 2023 (detail)
Installation view: Johanna Unzueta, Naturalist, Casey Kaplan, New York, January 12 - February 17, 2024
March, April 2021 Berlin
2022
Watercolor, pastel pencil, oil sticks, needle holes, and cut paper on tinted watercolor paper (Indigo/añil, wild berry/Schneebeere), plexiglass, wood, bronze screws
Drawing: 43 x 43” / 109.22 x 109.22cm
Install dimensions: 60 x 47 x 9.8" / 152.4 x 119.4 x 25cm
March, April 2021 Berlin, 2022 (Detail)
March, April 2021 Berlin, 2022 (Alternate view)
Installation view: Drawing in the Continuous Present, The Drawing Center, New York. March 10 – May 22, 2022. Photo: Daniel Terna
Installation view: Drawing in the Continuous Present, The Drawing Center, New York. March 10 – May 22, 2022. Photo: Daniel Terna
June NY, September Berlin 2018
2018
Pastel pencils, charcoal, watercolor gold, needle holes on indigo, and rustic hand-dyed watercolor paper
44 x 21 x 7.5” / 112 x 54 x 19.05cm
June NY, September Berlin 2018, 2018 (Detail)
June NY, September Berlin 2018, 2018 (Alternate view)
Installation view: Where the threads are worn, Casey Kaplan, New York, March 18 - April 24, 2021
2016 NY
2016
Pastel pencils, charcoal pencils, onion extracts, and needle holes on watercolor paper
Paper size: 12.5 x 12.5” / 32 x 32cm each
Framed: 16 x16” / 40.64 x 40.64cm each
October 2020, February 2021 Berlin
2021
Watercolor, pastel pencil, oil sticks and pin holes on wild berries hand- dyed paper
42.9 × 32.7” / 109 × 83cm
October 2020, February 2021 Berlin (Detail)
November 2020, February 2021 Berlin
2021
Watercolor, pastel pencil, oil sticks and pin holes on indigo and fustic hand-dyed paper
59 × 42.9” / 150 × 109cm
November 2020, February 2021 Berlin
Installation view: Pine’s Eye, Talbot Rice Gallery, University of Edinburgh, Edinburgh, United Kingdom, 2020. Photo: Talbot Rice Gallery, The University of Edinburgh
1:1 Resonance
2020
Sticks, oil pastel, twine and copper
511.81 x 354.33 x 5” / 13m x 9m x 15cm
1:1 Resonance, 2020 (Detail)
Installation view: Tools for Life, Modern Art Oxford, Oxford, United Kingdom. Photo: Ben Westoby
Related to Myself
2020
Felt, thread, recycled wooden spools
354.3 x 23.6 x 13.8” / 900 x 60 x 35cm
My Tears Started the Rain / The Darkness of the Sea Opened My Eyes No. 2
2019
Indigo dyed natural felt, thread, burnt wooden beams, and wooden dowels
220 x 60 x 25” / 558.8 x 152.4 x 63.5cm
Installation view: Tools for Life, Modern Art Oxford, Oxford, United Kingdom. Photo: Ben Westoby
Installation view: Tools for Life, Modern Art Oxford, Oxford, United Kingdom. Photo: Ben Westoby
Installation view: Tools for Life, Modern Art Oxford, Oxford, United Kingdom. Photo: Ben Westoby
Installation view: Tools for Life, Modern Art Oxford, Oxford, United Kingdom. Photo: Ben Westoby
Two Of Us I
2019
Wood, indigo dye, pastel pencil, copper watercolor, industrial wheels, nails and linen thread
52 x 36 x 19” / 132.1 x 91.4 x 48.3cm
Two Of Us I, 2019 (Alternate view)
Two Of Us II
2019
Wood, indigo dye, pastel pencil, gold watercolor, industrial wheels, nails, and linen thread
52 × 36 × 19” / 132.1 × 91.4 × 48.3cm
Two Of Us II, 2019 (Detail)
Two Of Us II, 2019 (Alternate view)
Installation view: Of the Color of the Forest, at the Bottom of the Sea, Proyectos Ultravioleta, Guatemala City, 2019. Photo: Margo Porres
February NY, March Antigua 2019
2019
Hand-dyed indigo wooden panel, pastel pencil, copper watercolor, nails and hand-dyed cotton thread
21.85 x 9.84 x 0.98” / 55.5 x 25 x 2.5cm
February NY, March Antigua 2019, 2019 (Alternate view)
March NY, Antigua 2019
2019
Hand-dyed indigo wooden panel, pastel pencil, gold watercolor, nails and 100% linen thread
11.81 x 11.81 x 1.57” / 30 x 30 x 4cm
March NY, Antigua 2019
April, May 2018
2019
Hand-dyed indigo wooden panel, pastel pencil, gold watercolor, nails and cotton thread
7.87 x 7.87 x 0.98” / 20 x 20 x 2.5cm
April, May 2018, 2019 (Alternate view)
May NY 2018, March Antigua 2019
2019
Hand-dyed indigo wooden panel, pastel pencil, gold watercolor, nails and cotton thread
16 x 12 x 1” / 40.64 x 30.58 x 2.54cm
May NY 2018, March Antigua 2019 (Alternate view)
Installation view: Of the Color of the Forest, at the Bottom of the Sea, Proyectos Ultravioleta, Guatemala City, 2019. Photo: Margo Porres
Installation view: Of the Color of the Forest, at the Bottom of the Sea, Proyectos Ultravioleta, Guatemala City, 2019. Photo: Margo Porres
May, June 2016 NY
2016
Watercolor, pastel pencil, and needle holes on indigo hand-dyed watercolor paper
39 x 31” / 99.06 x 78.74cm
Installation view: Of the Color of the Forest, at the Bottom of the Sea, Proyectos Ultravioleta, Guatemala City, 2019. Photo: Margo Porres
September Berlin, November NY
2018
Watercolor, pastel pencils, needle holes, watercolor paper dyed by hand with indigo and fustic, die-cut by hand
46.6 x 25.19” / 118.5 x 64 cm.
September Berlin, November NY, 2018 (Alternate view)
Installation view: From my Head to my Toes, to my Teeth to my Nose, Eli and Edythe Broad Art Museum at Michigan State University, 2019. Photo: Eat Pomegranate Photography
Installation view: From my Head to my Toes, to my Teeth to my Nose, Eli and Edythe Broad Art Museum at Michigan State University, 2019. Photo: Eat Pomegranate Photography
Hug
2013
Felt, thread, and recycled wooden pole
Dimensions variable
Related to Myself
2018
Felt, recycled wooden spools, and recycled beams
Dimensions variable
Installation view: Searching the Sky for Rain, Sculpture Center, New York, 2019. Photo: Kyle Knodell
Gravity & Grace
2019
Oil stick pastel, charcoal, upcycled cotton rope (courtesy The New Denim Project), beetroot–dyed rope, iron, nails
Dimensions variable
Gravity & Grace, 2019 (Detail)
Installation view: When The Wind Goes Wrong, 57W57Arts, New York, 2018
Installation view: 10th Berlin Biennale, Akademie der Künste / ZK/U Zentrum für Kunst und Urbanistik (Center for Art and Urbanism), Berlin, Germany, 2018
Installation view: Nodes, Encounter… Out of The Fields, Pastel pencil, Felt and wood sculptures, Jewett Art Gallery, Wellesley College, Massachusetts, 2017. Mural drawing made in collaboration with students at Wellesley College, MA
Installation view: Nictinastia, Sala de Arte Público, Siqueiros, Mexico City, 2017
Nictinastia, 2017 (Detail)
Installation view: Nictinastia, Sala de Arte Público, Siqueiros, Mexico City, Mexico, 2017
Installation view: La liberte sans nom. 3, CRAC, Alsace, France, 2016
Hula Hoop
2015
Super 8mm transferred to digital video
4:42 min
Whispers
2012
8 mm transferred to video
5:03 min
Faucets and Yellow Hose
2011
Felt and thread
3.5 x 22 x 3” / 8.89 x 55.88 x 7.62 (each faucet)
