SYDNEY CAIN
Born 1991, San Francisco, CA
Lives and works in New Haven, CT

Exhibitions | News | CV

  • Sights

    2025

    Acrylic, pigment and soft pastel on wood

    18 x 24” / 45.7 x 61cm

    Currents Never Die

    2025

    Acrylic, pigment, soft pastel, graphite and copper on wood

    72 x 48” / 182.9 x 121.9cm

    A Reunion

    2024

    Acrylic, pigment, soft pastel, graphite and copper on wood

    48 x 60” / 121.9 x 152.4cm

    Installation view: Sydney Cain solo presentation with Casey Kaplan at Frieze New York, February 20-23, 2025

    Undercurrents (We Found You and Are Still Searching)

    2024

    Acrylic, pigment and soft pastel on wood

    48 x 60” / 121.9 x 152.4cm

    Installation view: Works on Paper, Casey Kaplan, New York, January 8 - February 15, 2025

    Whirlpools

    2024

    Graphite on paper

    9 x 12" / 22.9 x 30.5cm
    Framed: 10.75 x 13.75" / 27.3 x 34.9cm

    Currents Unbroken

    2024

    Graphite on paper

    12 x 9" / 30.5 x 22.9cm
    Framed: 13.75 x 10.75" / 34.9 x 27.3cm

    Land Circuits I

    2024

    Acrylic, steel, pigment, soft pastel and copper on wood

    60 x 48" / 152.4 x 121.9 cm

    Land Circuits I, 2024 (detail)

    Land Circuits II

    2024

    Acrylic, steel, pigment, soft pastel and copper on wood

    60 x 48" / 152.4 x 121.9 cm

    Land Circuits II, 2024 (detail)

    Water Canals and Circuits (Black Rainbows)

    2024

    Acrylic, steel, pigment and soft pastel on wood

    84 x 144" / 213.4 x 365.76cm

    Water Canals and Circuits (Black Rainbows), 2024 (detail)

    They Said We’re Invisible So They Can’t Hurt Us

    2024

    Acrylic, steel, magnetite, pigment, soft pastel, charcoal and graphite on wood

    96 x 96" / 243.8 x 243.8 cm

    They Said We’re Invisible So They Can’t Hurt Us, 2024 (detail)

    The Rivers are Always Abundant for You

    2023

    Acrylic, steel, iron oxide, charcoal, soft pastel, graphite on wood

    96 x 144” / 243.8 x 365.8 cm

    The Child Opens It’s Eyes to the Earth

    2022

    Acrylic, iron oxide, steel, charcoal, and graphite on wood

    96 x 96” / 228.6 x 228.6cm

    Installation view: Sydney Cain: Refutations, Museum of the African Diaspora, San Francisco, CA, October 20 - December 19, 2021

    Installation view: Sydney Cain: Refutations, Museum of the African Diaspora, San Francisco, CA, October 20 - December 19, 2021

    Baba and Nana

    2021

    Acrylic, iron oxide, and charcoal on paper

    72 x 120” / 182.88 x 304.8cm

    At the Corners I Miss #1

    2020

    Graphite, charcoal, and pigment on dyed paper

    22 x 42” / 55.9 x 106.7 cm

    Refutations (Water Who Holds Light)

    2019

    Graphite, charcoal, and pigment on paper

    33 x 46” / 83.8 x 116.8 cm

    Remember to Cross the River

    2021

    Acrylic, iron oxide, and charcoal on paper

    72 x 120” / 182.88 x 304.8cm

    Sydney Cain’s Radio Imagination (2021, acrylic, steel, & chalk on wood, dimensions variable) in Mothership: Voyage Into Afrofuturism at the Oakland Museum of California, August 7, 2021 – February 27, 2022

    Sydney Cain’s Radio Imagination (2021, acrylic, steel, & chalk on wood, dimensions variable) in Mothership: Voyage Into Afrofuturism at the Oakland Museum of California, August 7, 2021 – February 27, 2022

    And They Are Not Afraid of the Night Because They Are the Color of It

    2021

    Acrylic, pigment, charcoal and graphite on wood

    96 x 144” / 243.8 x 365.8 cm

    Installation view: Becoming, St. Joseph’s Arts Society, San Francisco, CA, May 19 - August 28, 2021

    Ancestral Pools #3

    2020

    Watercolor on paper

    35 x 22” / 88.9 x 55.9 cm

    Where Water Goes After It Leaves Here

    2019

    Watercolor on paper

    22 x 36” / 55.9 x 91.4 cm

    SYDNEY CAIN

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