• Casey Kaplan is pleased to announce the exhibition Geoffrey Farmer, “Bacon’s Not The Only Thing That Is Cured By Hanging From A String.” This will be Farmer’s first solo exhibition both at the gallery and in the United States.

    Farmer is known internationally for his projects that transform and alter over the course of their exhibitions. His installations are composed of diverse materials and various working methodologies that are rooted in research and in response to site. Farmer creates conceptual works with poetic narratives, often combining his interests in the material production of the art object with theories of psychology and dramatic presentation.

    Central to this exhibition, Farmer presents a new series of thirteen illuminated lamp posts interspersed throughout the space. The lamp posts hover between the architectural and figural, as each is comprised of found objects, photomontage materials, props and a light source. The wood posts developed out of Farmer’s interest in Rainer Werner Fassbinder’s, “In a Year with Thirteen Moons” and its opening text:

    “Every seventh year is a year of the moon. Certain people, whose existence is influenced mainly by their emotions, suffer from intense depressions in these moon years. This is also true to a lesser degree of years with thirteen new moons. And when a moon year is also a year with thirteen new moons, it often results in inevitable personal catastrophes...”

    Along with this series, Farmer will also present a large-scale photomontage wall work titled, “Pulling Your Brains Out Through Your Nose,” which makes reference to the Egyptian mummification process of extracting the brain in order to preserve the body. A multitude of images, cut from various printed sources, are suspended from cut coat hangers and inserted directly into the gallery wall.

    In the series, “Lost Dogs and Half-Eaten Apples,” Farmer presents smaller figural works displayed on a low table. Made mostly of clay, wire, bricolage, and lights, these maquette-like pieces read and reference as unusual types of puppets or Kachina dolls. Images are inserted directly into the clay forms, accentuating the materiality of the printed image and their ability to transform, by illusion, into three-dimensional form.

    Geoffrey Farmer is currently based in Vancouver. Past solo exhibitions include: Walter Phillips Gallery, The Banff Centre, Banff Alberta (2010), Museo Experimental El Eco, Mexico City, Mexico (2010), Witte de With, Rotterdam, The Netherlands (2008), and the Musée d’art contemporain de Montréal, Quebec (2008). Farmer will open, “Let’s Make the Water Turn Black,” on March 5th at the REDCAT in Los Angeles after completing a month long residency there. The artist will also be participating in the Istanbul Biennial opening September 17 and will have a major solo exhibition planned to open at the Vancouver Art Gallery, Canada in 2013.

    Exhibition View

    Pulling Your Brains Out Through Your Nose

    2011

    Printed material, cut coat hangers, tape

    Dimensions variable

    (Detail) Pulling Your Brains Out Through Your Nose

    2011

    Exhibition View

    The Greeter

    2011

    Printed material, wood, metal, paint, tape, foam, boot, computer programmed LEDs

    96.5 x 23.5 x 19.5” / 245.1 x 59.7 x 49.5cm

    (Detail) The Greeter

    2011

    Between the Egg and the Coin

    2011

    Printed material, wood, metal, paint, tape, canvas, fabric, clay, broom, string, battery powered LEDs

    96.5 x 53 x 27” / 245.1 x 134.6 x 68.6cm

    (Detail) Between the Egg and the Coin

    2011

    Unclean Thoughts. Mothers of Mud. Harpies. Sleepless Enemies

    2011

    Printed material, wood, metal, paint, tape, canvas, hat, computer programmed LEDs

    103 x 21 x 19.5” / 261.6 x 53.3 x 49.5cm

    (Detail) Unclean Thoughts. Mothers of Mud. Harpies. Sleepless Enemies

    2011

    She Says She’s a Man, Not a Woman

    2011

    Printed material, wood, metal, paint, tape, fabric, plastic, glass, leather bag, computer programmed LEDs

    96.5 x 31 x 27.5” / 245.1 x 78.7 x 69.9cm

    (Detail) She Says She’s a Man, Not a Woman

    2011

    Exhibition view

    The Light is Buried Under Chains and Noises

    2011

    Printed material, wood, metal, paint, tape, paper, glass, foam, battery powered LEDs

    109 x 18 x 22” / 276.9 x 45.7 x 55.9cm

    (Detail) The Light is Buried Under Chains and Noises

    2011

    Shadow and Grow

    2011

    Printed material, wood, metal, paint, tape, foam, plastic, fabric, cardboard, battery powered LEDs

    99 x 20 x 27” / 251.5 x 50.8 x 68.6cm

    (Detail) Shadow and Grow

    2011

    Exhibition View

    The Life Cycle of Picture-Making

    2011

    Printed material, wood, metal, paint, tape, foam, glass, clay, artificial plant, battery powered LEDs

    102.5 x 20 x 28.5” / 260.4 x 50.8 x 72.4cm

    (Detail) The Life Cycle of Picture-Making

    2011

    Bacon’s Not The Only Thing That Is Cured By Hanging From A String

    2011

    Two posts: printed material, wood, metal, paint, tape, foam, fabric, computer programmed LEDs

    Post 1: 96.5 x 18 x 23” / 245.1 x 45.7 x 58.4cm Post 2: 96.5 x 18 x 18” / 245.1 x 45.7 x 45.7cm

    (Detail) Bacon’s Not The Only Thing That Is Cured By Hanging From A String

    2011

    Wishing You The Best

    2011

    Printed material, wood, metal, paint, tape, foam, plastic cup, glass, battery powered LEDs

    112 x 19 x 30” / 284.5 x 48.3 x 76.2cm

    (Detail) Wishing You The Best

    2011

    Tongue Standing Upright

    2011

    Printed material, wood, metal, paint, tape, plastic bag, foam, battery powered LEDs

    96.5 x 18 x 27.5” / 245.1 x 45.7 x 69.9cm

    (Detail) Tongue Standing Upright

    2011

    Little Feather

    2011

    Printed material, wood, metal, paint, tape, fabric, woven hat, drum, battery powered LEDs

    96.5 x 28 x 30” / 245.1 x 71.1 x 76.2cm

    (Detail) Little Feather

    2011

    Harvest

    2011

    Printed material, wood, metal, paint, tape, foam, fabric, cardboard, artificial plant, computer programmed LEDs

    124 x 44 x 35” / 315 x 111.8 x 88.9cm

    (Detail) Harvest

    2011

    Exhibition View

    Using Your Hands

    2011

    Printed material, metal, glass, canvas

    12 x 10 x 9” / 30.5 x 25.4 x 22.9cm

    Worm Finds Rock

    2011

    Printed material, foam, paper plate, wire, tape

    12 x 9.5 x 9” / 30.5 x 24.1 x 22.9cm

    My Reputation as a Kabuki

    2011

    Printed material, umbrella, vinyl, wood, string, tape

    16 x 21 x 16” / 40.6 x 53.3 x 40.6cm

    Light Separated Into 7 Columns, No. 1

    2011

    Printed material, fabric, tape

    Dimensions variable

    Lost Dogs and Half-Eaten Apples

    2011

    29 figures: clay, printed material, computer programed LEDs, wood table

    Dimensions variable

    (Detail) Lost Dogs and Half-Eaten Apples

    2011

    (Detail) Lost Dogs and Half-Eaten Apples

    2011

    (Detail) Lost Dogs and Half-Eaten Apples

    2011

    Naked to the Bone

    2011

    Printed material, wire, tape

    35.5 x 20.5 x 6.5” / 90.2 x 52.1 x 16.5cm

    All the World’s Light Fits Inside An Eye

    2011

    Printed material, wood, glass, cardboard

    17.5 x 8 x 8” / 44.5 x 20.3 x 20.3cm

    Making the Clay Match the Image

    2011

    Printed material, foam, tape, glass, pins

    17.5 x 8 x 8” / 44.5 x 20.3 x 20.3cm

    Rauschenberg’s Toe

    2011

    Wood, battery powered LED powered LED

    95 x 3.5 x 17.25” / 241.3 x 8.9 x 43.8cm

    (Detail) Rauschenberg’s Toe

    2011

    Peacock Hunters

    2011

    Printed material, fabric, tape

    66.5 x 67 x 35” / 168.9 x 170.2 x 88.9cm

    (Detail) Peacock Hunters

    2011

    Printed material, fabric, tape

    66.5 x 67 x 35” / 168.9 x 170.2 x 88.9cm

    Bacon’s Not The Only Thing That Is Cured By Hanging From A String

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