Fifteen years ago, Casey Kaplan started with a small group of artists in a modest single room loft located in SoHo. Today the gallery now represents twenty-one artists in an expanded space (formerly a taxi garage) on 21st Street in Chelsea. During this time the gallery’s artists have become integral in the current discourse, achieving mid-career retrospectives, participating in Biennales and Documenta, and winning prestigious grants and awards, including the Turner Prize.
In commemoration of the gallery's fifteen year anniversary this past March, we have decided to celebrate this July with "Reflection: 15 Years," an exhibition consisting of one work from each of the twenty-one represented artists.
Included in this exhibition are diverse artworks in all media, including: painting, sculpture, photography, silkscreen, video, film, and works on paper. As part of this exhibition we are excited to present for the first time in New York, Simon Starling’s “The Nanjing Particles (After Henry Ward, View of C.T. Sampson’s Shoe Manufactory, with the Chinese Shoemakers in working costume, North Adams and vicinity, ca. 1875),” originally commissioned and exhibited by MASS MoCA in 2009.
The exhibition will include signature early works; such as Miles Coolidge’s “Storefront, Hospital, Office Bldgs,” from his 1994 "Safetyville" series, Liam Gillick’s “Discussion Island Research Screen,” 1999, and Annika von Hausswolff's “Attempting to Deal with Time and Space,” 1997. These seminal works signify key moments in the artists’ careers, and exemplify the gallery’s own history.
This past year alone has seen the gallery initiate new relationships with Geoffrey Farmer, Marlo Pascual, and David Thorpe. This show will be the first time for Farmer’s work to appear in the gallery, who will have a solo exhibition in the beginning of 2011.
Much like the gallery itself, this exhibition is manifold, marking the beginnings of exciting new projects and endeavors while still encouraging current dialogues and relationships. Our reflection is a moment to look back, and to continue to move forward.
Exhibition View
Discussion Island Research Screen
1999
Anodized aluminum and Plexiglas
24 x 94.25 x 16.2” / 61 x 239.4 x 41.3cm
I am by nature one and also many, dividing the single me into many, and even opposing them as great and small, light and dark, and in ten thousand other ways
2010
Light bulb, potted artificial palm tree, paper clippings from LIFE magazine, tape
62 x 46 x 46“ / 157.5 x 116.8 x 116.8cm
(detail) I am by nature one and also many, dividing the single me into many, and even opposing them as great and small, light and dark, and in ten thousand other ways
2010
Light bulb, potted artificial palm tree, paper clippings from LIFE magazine, tape
62 x 46 x 46“ / 157.5 x 116.8 x 116.8cm
Exhibition View
Untitled (pink)
2005
94.5 x 81.5” / 240 x 207cm
Oil on canvas
Exhibition View
Exhibition View
Untitled (pocket)
2006
Oil on MDF
11.2 x 14.7” / 28.5 x 37.5cm
MC2 IS REPORTING LOCALIZED OSCILLATIONS AND AN ANGRY KRONENBOURG MIST COVERING THE MAJORITY OF INTERLAKEN
2004
Plywood, ink, vinyl, acrylic paint
82 x 62” / 208.3 x 157.5cm
Exhibition View
Exhibition View
Untitled
2010
Digital C-print, conch shell, pedestal
76 x 17 x 17” / 193 x 43.2 x 43.2cm
Exhibition View
Thunderbirds
2006
Mirrors, plastic bottles, leather
Dimensions variable
Exhibition View
Darkness Falls on Rue du Fief 40, 77760 Boissy-Aux-Cailles, France
2010
Candles, lighbulbs, matches, lighters, flashlights
Dimensions variable
Exhibition View
My Besieged Self is my Glory!
2005
Oil on paper
Image size: 25.63 x 35.4” / 65 x 90cm Framed: 37.5 x 27” / 95.3 x 68.6cm